If you’re like most musicians, you probably want your music to sound just as good as your favorite records.

But instead, all you get is a muddy mix where the drums take over the bass in the low-end, the guitars sound thin and your vocals get buried by the instruments.

I’m sure you don’t want your mixes to sound so boomy your songs sound like somebody threw a blanket over the speakers...

...or so muddy they feel more like a competitor in Tough Mudder racing through sludge underneath barb-wire.

So no matter what you try, you can't create a clean mix!

Even worse, once you get a decent sound in your home studio you'll take it to the car to make sure it passes the car-test.

You load up your mix in the car, turn the volume up, and...?

You turn into this guy!

No matter what you do, you can't get your mix to translate!

Everywhere you play your song it sounds different...

When you listen on earbuds, on your phone, or in the car...you wonder why your mix sounds so much worse than other records...

• The bass is boomy and cluttering up the low-end with too much 200 Hz
• The vocals are masked by the guitars because you didn't create a vocal pocket between 900 Hz and 3 kHz
• The drums are so boxy they sound like a toddler banging on cardboard box so you better cut the 300 Hz out of your drums before it gets out of hand

But you didn't know all that so you sit in your car and softly weep, wondering if you’ll ever be able to finish a mix that feels like a professional record.

You’d like to spend your free time working on music you can be proud of, but when your mixes sound muddy or harsh next to your favorite songs, you start to give up hope.

But I'm here to tell you that there's one thing you need to master so that your mixes can translate to every speaker.

The frequency spectrum.

Once you master how to EQ you'll know exactly where to cut and boost the frequencies that make your mixes sound better.

I learned how to EQ in a dimly lit music venue where underground Icelandic artists played some of their first shows.

So I got to run sound for some cool artists and bands. 

I didn't want to let any of those bands down and make them sound bad so I scrambled to learn how every frequency sounded so that they could sound their best.

I was fascinated by how much you could change a sound just by manipulating these frequencies so I've spent the better part of my career learning about the frequency spectrum.

When I got the chance to develop a plug-in, it was a no-brainer to make it an instructional EQ so that I could pass on that information so that you could make better mixes in less time, without fumbling around in the dark twisting knobs and not knowing what you were doing.

The Audio Issues EQ is the plug-in I wish I had when I was starting out because I KNOW just how much easier it'll make the mixing process.

It will help you fix your muddy mixes, remove the harshness from your high-end, and add that professional sheen to make your mixes radio-ready and release-worthy. 

Click here to download your copy right now.

Enjoy!

Björgvin