Whew....I just speed-watched my brand new Step By Step Mixing Folk Rock course...

"Why on Earth would you do something like that, Björgvin?!?"

I'm glad you asked!

I wanted to make notes about everything you'd know after going through the 4.5 hour training so you knew what you'd be getting.

(I'm sure you'd learn more than me though...I knew everything that guy was talking about! And he looked scarily like me too, it was like looking in a mirror dimension. Maybe I should stop getting up so early. Is there something in this coffee...?)

But if you want to learn mixing fast, don't keep relying on the same old tricks you've tried a hundred times before.

Doing the same thing over and over again expecting different results just sounds crazy to me...

Instead, schedule a few hours over the next few days to watch my brand-new training and you'll fill up your toolkit with new tricks to try in your next mix.

Here are some examples of exactly what you'll learn once you go through the new course:

• How to simplify your tracks with submixes so that you can get better mixes in less time
• Find out what all the pro engineers know about organizing your tracks for easy mixing
• Why jumping into the mix without considering what you want things to sound like will make everything take longer
• Why a simple DI bass recording will never give you a full, powerful bass tone and what you need to do instead
• The surprisingly easy critical listening exercise you should do before you even start mixing your tracks
• The three powerful plug-ins that works wonders on your mix bus to immediately add glue, warmth and power to your tracks
• The secret weapon to make your home recorded drums sound like they came from an expensive studio
• EQ and compression techniques to make your drums sound punchy and powerful
• How to get rid of boxiness and boom from your drums
• A sneaky little trick to immediately make your mixes brighter and more modern-sounding
• A quick and easy way to control your low end and add width to your mix
• How a separate “snare-stretch” trick will add depth and presence to your snare sound
• My “virtual vintage” bass processing chain that makes a boring DI’d bass come alive
• My go-to compressor for a big bass and guitar sound
• A dead-simple way to make both the bass and guitars play nicely together in the low-miss without adding muddiness
• My acoustic guitar capo-trick for adding lift to the choruses to make them bigger
• How to add excitement to dull acoustic guitars so that they add brilliance and brightness to your mix
• Why and when you should use LCR panning - and why all these online arguments about panning are a total waste of time
• The REAL secret behind why you should use LCR panning to create width in your mixes
• How to create separation in a dense guitar mix without making everything sound thin and washed out
• How to instantly get that “analog warmth” - even if you don’t have fancy outboard equipment or an expensive mixing console
• You’ll discover how to add depth and space to all your instruments without creating a washed-out, reverb-y mess
• You’ll learn how to use mono delays to create depth and width to your tracks so that you can create a 3D mix that fills up your speakers
• You’ll find out how to quickly recognize and avoid too much compression, overblown low end, or harsh high-end
• My over-the-top effects chain to create an organ pad that fills up the entire mix without getting in the way
• Why some compressors and reverbs work better than others, and the reason you shouldn’t slap just any plug-in on your tracks
• Why “black box magic plug-ins” are annoying because you don’t know what they’re doing - and if you don’t know what they’re doing, you don’t know how to get the sound you want (even if they’re fun to cheat with)
• A fast and easy way to target a problematic frequency area that’s only causing issues sometimes, without using automation, macro-programming, or re-recording
• The Pulteq trick revealed - if you’ve ever wondered WHY the Pulteq trick does such wonders for your low-end, I show you exactly what’s going on beneath the hood
• Beware of this common vocal mixing mistake when using doubled vocals - you’ll learn how to mix multiple vocals together so that you can get a great vocal sound at home
• How the serial compression LA2A/1176 ACTUALLY WORKS and what it does to the waveform so that you can finally understand why it makes your vocal sit in the mix
• How to create natural vocal space that sits with the instruments and doesn’t clutter up the rest of the mix
• How automation can add interest and excitement throughout the mix
• How to rebalance and add final tweaks to your mix after you’ve mixed all the tracks so that everything sits nicely and plays like a record
• How to use reference mixing to beat your own mixes so that every mix you finish is better than the one before
• How to prepare your mix for mastering IF you use a mastering engineer
• The real secret to adding headroom to your mix before mastering - almost everyone gets this wrong and if you ask about this on the internet you’ll get a bunch of bullshit answers.
• How to master your mix with linear phase EQ, multi-band compression, analog modeling, parallel compression, and limiting to enhance your mix even further so that it sounds like a professionally mastered record that’s ready to be released
• And much, much more...

Whew, that was a lot...and I'm sure I missed a bunch of tricks speed-watching my own training so I'm sure you'll learn a ton more...

Remember: I'm only making this course available until Friday night and this will be your only chance to get this new course at this price. 

Once the clock strikes midnight Arizona time TOMORROW, I'm putting this course back into the archives and who knows when I'll pull it back out.

So if you buy now you'll get instant, lifetime access at a crazy discount, so please make sure you grab it now before you forget:

Here's the link:

https://audioissues.mykajabi.com/sbsm-folk-rock