Hiya,

I hope you've had a happy Sunday.

Here's your quick reminder that EQ Strategies - Your Ultimate Guide to EQ will be going up in price in 4 hours.

If you want to learn everything you need to know about EQ, and get my EQ plug-in as an additional bonus, now's your chance to get it at a discount.

Click here to grab it now before the price goes up.

If you're curious about what you'll discover inside the training, that includes my eBook, an in-depth video course on EQ, AND my Audio Issues EQ (along with a few more bonuses), here's what you'll you'll learn:

• Understand how EQ works and where you can find all the frequency problems you encounter in your mixes (pg. 11)
• Should you use a paid EQ plug-in or stick to your stock channel EQ? This will set you straight (pg. 15)
• Discover all the EQ Vocabulary you need to know, what all the EQ jargon means, and where to find “buzzword frequencies” like muddiness, boxiness, boominess, harshness, and the like (pg. 18)
• Here’s the quick and easy to-get-rid-of muddy mixes - it works so well you’ll swear it was voodoo! (pg. 20)
• You’ll discover 3 deceptively simple ways to instantly improve your EQ skills (pg. 16)
• Discover where all the pleasant frequencies are and where you should boost your tracks for better mixes (pg. 33)
• Should you use EQ or compression first? The devil is in the technical details (pg. 35)
• Learn the difference between subtractive and additive EQ and how much you can really boost a frequency without breaking your mix (pg. 44)
• How to use this simple EQ tool to create cleaner mixes (pg. 40)
• See this page to find out what one thing you MUST do before you even think about using your EQ plug-ins! (pg. 33)
• The inverse relationship between the amount of tracks in your mix and how much EQ you need (pg. 39)
• What difference do filter slopes make, and how do you choose between them? (pg. 43)
• The importance of subtractive EQ to fix annoying resonant frequencies from home recordings (pg. 44)
• You’ll discover the ridiculously easy to get find where your tracks are clashing - even if you can’t hear it yet!
• In-depth EQ techniques to mix killer drums, like using filters to reduce bleed on drums to create a tighter drum sound (pg. 47)
• How to EQ kick drums to get rid of muddy resonances while keeping them thick and punchy (pg. 48)
• How to mix thick and punchy snare drums with EQ (pg. 51)
• How to make your toms sound massive with three simple EQ tweaks (pg. 52)
• How to get rid of harsh cymbals so that your overheads sound smooth and big (pg. 55)
• How to EQ drum samples and loops when you don't know if they're good enough straight from the sample pack (pg. 57)
• How to EQ percussion to fit with the drums in your mix (pg. 57)
• How to EQ a bass that doesn't clutter up the low-end and add unnecessary boominess to your mix (pg. 60)
• Using little-known harmonic secrets to EQ the bass guitar to cut through the mix without cluttering up the low-end (pg. 63)
• An in-depth, step-by-step guide on making your kick drum and bass guitar fit together for a thicker and more solid low-end (pg. 64)
• How to EQ groups of both acoustic and electric guitars to give each one their own space in the frequency spectrum (pg. 68)
• How to EQ the acoustic guitar (and other acoustic string instruments) (pg. 69)
• How to get rid of the "cheap-o" string sound from acoustic guitars that make them sound brittle and harsh instead of brilliant and big (pg. 68)
• How to make pianos, keyboards, horns and strings "pop" with body and air (pg. 75)
• How to approach EQ'ing synthesizers to make them cut through the mix without getting in the way of the rest of the arrangement (pg. 76)
• How to EQ brass instruments like saxophones, trumpets, trombones, and flutes (pg. 77)
• How to EQ orchestral instruments - discover where to bring out the thickness of the cellos, the lushness of the violas, and the air of the violins. (pg. 79)
•  How to make your vocals cut through the mix with presence and power (pg. 81)
• How to eliminate vocal muddiness with EQ (pg. 82)
•  The six frequency areas you must know to get a pro-sounding vocal (pg. 83)
• How to find where the instruments are clashing with the vocal (pg. 84)
•  How to get rid of that annoying nasal sound that makes your singer sound like they have a cold (pg. 83)
• Struggling to get rid of sibilance? Focus your EQ cuts on this frequency area first (pg. 83) 
•  Why separation in your vocals isn't always the right move (pg. 87)
• How to EQ the mix together and get a good balance of all the instruments without making your mix a muddy mess (pg. 88)
•  How to add character and sweetening to the mix with EQ (pg. 92)
• How to get clarity in the low end without losing weight in your mixes (pg. 89)
•  How to use EQ to get your mixes to translate to every speaker system (pg. 94)

In short, you’ll discover how to use the closely guarded secrets of Grammy-winning mixing engineers to quickly and easily make awesome home studio mixes.

This is the most in-depth training on EQ you'll find online, and if you grab it before the counter ticks down below, you can still grab it at a discount.

Click here to get your copy.

Enjoy!

Björgvin