After taking the class,
you'll have that final ingredient to add that extra 10% to make your mixes stand out.
You've already seen a couple of the techniques I share inside the class, how it's benefitted my students, and even how it'll save your relationships by making you a prosperous mixing engineer!
This is a
mixing technique I use all the time. It's so simple that it astounded me when I realized that a lot of my students didn't really know how to use it. Although you can get by perfectly fine making "good" mixes, I want you to learn this process so that you can make your mixes "great."
So if you'd like to level up your mixes, with only a time commitment of an hour or so to read the PDF
and watch the videos, I guarantee your mixes will improve, the bands that you work with will notice an improvement, and you'll feel more confident now that you have this not so secret trick in your toolkit.
If you want to:
- Add the extra power you need to transform your drum sound to make it stand out, without getting in the way of the rest of your instruments.
- Make an explosive snare with
parallel saturation
- Add parallel smash to your drum loops
- Add presence to your bass guitar so that it cuts through the song without muddying up your mix
- Add parallel saturation and amp simulation to enhance your bass guitar tracks
- Add stereo width and depth to your guitars for added dimension and interest with both
mono reverbs and stereo delays
- Add parallel processing during the recording phase so that the singer gives you a great performance
- Add professional presence with artificial double tracking, parallel depth, and excitement to add extra high-end professional sheen to your vocals
Then the Parallel Processing Masterclass is for
you.
Enjoy!
Björgvin